![]() ![]() With a total of four engines working at once, it’s impossible to know where one ends and one begins, so it’s mission accomplished for Arturia, in that respect. Whether playing with the sound of a human singing or all manner of string instrument articulations, both are clean, lush and wide-ranging in their palette – though that comes with pressure on your CPU to match. Make no mistake, these are hi-fi instruments. Moving the large, central Morph knob blends between the two layers, and a host of onboard effects and modulation options galvanises this relationship into something quite impressive. The principle involves two customisable layers, each comprising two engines: synth and sample. Arturia V Collection 9’s Korg MS20V Augmented Strings and Augmented VoicesĪugmented Strings and Augmented Voices are hybrid sampler-synthesizer instruments. There’s also a pull-out SQ-10-style sequencer, as well as onboard effects. There are minor adjustments across the panel that serve to speed or spice things up but none of these feel hamfisted a sync switch has appeared between the oscillators, for example, and while envelope 1 can now be looped, envelope 2 has become switchable between Classic and Modern responses. This version tweaks and expands the MS-20’s palette. The latest edition, V Collection 9, adds the MS-20 V emulation of Korg’s 1978 all-analogue semi-modular classic and the SQ80 V emulation of Ensoniq’s venerable 1980s crosswave synth – and that’s on top of the aforementioned instruments and more. MusicTech’s March 2021 review of V Collection 8 asked whether it was the king of soft-synth suites. READ MORE: Cinematique Instruments Vertigo Glass and Iron review: Rich tones of glass and metal ideal for dreamy pads.On top of this are the original Arturia-designer instruments and workflows, such as the Piano V acoustic piano plug-in and Analog Lab preset browser. From the ARP 2600 to the Buchla Easel, the Roland Juno to the Vox Continental, and the Mellotron to the Fairlight CMI, it seems this suite has no borders, having long proven itself playable, reliable and astonishingly accurate in its emulation. As far as software versions of iconic hardware instruments go, particularly synthesizers, this is the category leader. ![]() REV LX-24 is also available now for $99, though chances are it will make its way into the next version of Arturia's FX Collection.Arturia’s V Collection barely needs an introduction. Of course, the LX-24 is still based on a late '70s digital reverb, so expect crust, grime and maybe some gated snares.Īugmented Brass is available now at an introductory price for existing Arturia customers, but will go up to the regular price of $99 on May 11th. But, as usual, there's an advanced tab here that allows you to add modulation, ducking and generally make use of the amenities you've come to expect from modern music software. That means a few sliders and buttons, and not much more in the default interface. Like most of the company's plugins, the LX-24 visually tries to hew pretty close to the hardware it's based on. ![]() But I loved the Full Brass Orchestra patch which was clearly made for scoring endless Game of Thrones spinoffs.Īrturia's been pretty busy recently, having also just launched Rev LX-24, a plugin that aims to recreate the revered (and insanely expensive) Lexicon 224 Digital Reverb. If you've read any of my reviews in the past, it should come as no surprise that I was immediately drawn to the nostalgic warbles of the Muted Tape Orchestra preset. Augmented Brass comes with hundreds of presets that cover everything from '80s slasher film scores, to early aughts hip hop horns, to sci-fi dirges. If you never bother to mess with the advanced options, you'll still have a pretty large palette to work with. If you do dive into the advanced tab, don't overlook that modulation section where you'll find two LFOs, two function generators, two random generators and you can customize things like aftertouch and velocity effects. ![]() Here you can freely choose your four different layers of synths and samples, customize your filter selection and the effects, and even add complex modulation. But there is a lot of power to be found under the hood. Here still, the UI is clean, easy to navigate and unintimidating. There is also the advanced tab for those that what to dig in deep on the sound design. ![]()
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